產品資訊：

• 專輯名稱：中國交響樂團五十週年—舞劇集
• 專輯編號：HD-223b
• 藝術家：众艺术家
• 音樂風格：传统音乐 器樂
• 唱片公司：ABC(國際)唱片

中國交響音樂當代史上，陳佐湟是一位繞不開的重要人物。這位早在20世紀80年代即被國際交響樂壇譽為“具有站在任何一個樂隊前面的權威”的藝術家，曾于90年代以極大的勇氣在中國國家交響樂團（以下簡稱“國交”）掀起改革的風潮，又在2000年風口浪尖之際毅然離開，被當時的媒體評為“給中國的交響樂發展留下一個悲涼的背影”。但這個背影此後仍舊頻繁轉身，傾力于祖國交響樂事業的發展。從事的是人類世界最複雜的職業之一，到達的是極少數人才能企及的音樂聖境，這位元外表斯文儒雅的藝術家沒有提到“孤獨”兩個字。揮舞著細小的指揮棒，其內心卻飽含一種入世情懷。對中國交響樂事業的發展，陳佐湟說自己有一種“國家興亡，匹夫有責”的使命感，雖然“從事的僅僅是音樂事業，但如果一個問題被我看到了、想到了，我恐怕是不會去回避的。”
1996年，陳佐湟拒絕了美國兩個州級樂團的高薪續聘合約，回到北京，與志同道合者，在原中央樂團基礎上組建了中國交響樂團，任藝術總監，4年後他離開時，國交當之無愧地成了中國第一、亞洲一流的交響樂團。回到上海擔任重組後的上海愛樂樂團藝術總監；幾年來，上海愛樂樂團在陳佐湟的帶領下，正朝著“不演奏完美音符而演奏充滿生命、色彩、個性的音樂的樂團”邁進。
因過於投入，左手被右手所執的銀色指揮棒劃開一道口子，讓大家沒有想到的是，儘管不是正式演出，陳佐湟沒有停下的意思，而是示意大家忽略音樂之外的東西，雙手又繼續強有力地跳躍起來。樂章結束，他的樂譜已被染成了片片紅色。
每次帶領國內樂團赴海外演出前，陳佐湟總要在選曲上花很大功夫，他希望把中國音 樂更好地呈現在國際舞臺上。離開國交後，他應邀赴二十多個國家和地區擔任三十多支交響樂團的客席指揮。對他來說，這是一個瞭解世界音樂的最好機會，也讓他 吸取了各地音樂藝術的精華。他熱情、嚴謹、富有魅力的指揮藝術受到各國聽眾及音樂家們的讚賞和喜愛，更為人稱道的，是他在音樂普及和向世人推薦中國交響樂新作及新人所做出的不懈努力。 

中國交響樂團亦稱中國國家交響樂團，是中華人民共和國文化部直屬的音樂表演團體，也是中國最優秀的職業交響樂團之一。其前身是成立於1956年的中央樂團，1996年重組後更名為中國國家交響樂團。
中國交響樂團主要演奏古典主義、浪漫主義和近、現代交響樂等中外經典音樂作品，其中許多作品由樂團在中國及世界首演。中國交響樂團經常在國內進行廣泛的巡演，足跡遍及全國 30個省和自治區的40餘座城市及臺灣、香港、澳門地區。國外巡演也日益頻繁，先後出訪過歐洲、美洲、亞洲及南美洲的許多國家。此外，中國交響樂團亦致力於提高專業水準、輔助音樂教育及師資培訓、普及交響樂知識、鼓勵和推廣中國交響樂創作、拓展國內外音樂舞臺、促進海內外音樂藝術交流等方面工作，在弘揚和發展中國交響音樂藝術方面一貫起著主導作用。

中國交響樂團還擁有一個具同樣悠久歷史的合唱團，成立于1949年，原為中央音樂學院音樂工作團, 1956年與交響樂團組成中央樂團，現改名為中國交響樂團合唱團，經常到全國及世界各地巡迴演出，為電影、電視錄製音樂，為電臺及唱片公司錄製曲目。目前擁有成員60名，均是國內各高等音樂學院的優秀畢業生。中國交響樂團是中國唯一擁有合唱團的職業交響樂團，其演出一般也均列入中國交響樂團演出季的演出中。

In the contemporary history of Chinese symphonic music, Chen Zuo Huangshi is an inescapable important figure. This artist, who was honored by the international symphonic music circle as early as the 1980s as "having the authority to stand in front of any orchestra", had set off a wave of reforms at the National Symphony Orchestra of China (hereinafter referred to as "NSO") in the 1990s with great courage, and left in 2000 at the peak of the storm. In the 1990s, the artist had initiated the reform of the National Symphony Orchestra of China (hereinafter referred to as "NSO") with great courage, and then he left the orchestra in 2000, which was criticized by the media at that time as "leaving a sad back to the development of symphony music in China". However, this backstage figure has since frequently turned his back on the development of China's symphonic music industry. Engaged in one of the most complicated professions in the human world, and reaching the holy realm of music that only very few people can reach, this elegant and refined artist did not mention the word "loneliness". While wielding a small baton, his heart is filled with a worldly feeling. The development of China's symphonic music industry, Chen Zohuang Huang said he has a kind of "the rise and fall of the country, everyone is responsible for" sense of mission, although "engaged in the music industry only, but if a problem was I saw, thought of, I'm afraid I will not go to avoid it."

In 1996, Chen Zuo Huangshi refused two state-level orchestras in the United States to renew the contract, returned to Beijing, and like-minded people, in the original Central Orchestra based on the establishment of the China National Symphony Orchestra, as Artistic Director, 4 years after he left, the National Symphony Orchestra deservedly became China's first, first-class symphony orchestra in Asia. He returned to Shanghai to become the Artistic Director of the reorganized Shanghai Philharmonic Orchestra; over the past few years, the Shanghai Philharmonic Orchestra, under the leadership of Chen Zohuang Huang, has been moving towards the goal of "an orchestra that does not play perfect notes, but rather one that is full of life, color, and individuality".

Because of his devotion, his left hand was cut by the silver baton held by his right hand, what we didn't expect was that even though it wasn't an official performance, Chen Zohuang didn't mean to stop, but instructed everyone to ignore what was outside of the music, and his hands continued to jump up and down powerfully. By the end of the movement, his sheet music had been dyed red.

Every time before leading a domestic orchestra to perform overseas, Chen Zuo Huangshi always puts a lot of effort into selecting music, hoping to present Chinese music better on the international stage. After leaving the National Symphony Orchestra, he has been invited to more than 20 countries and regions as the guest conductor of more than 30 symphony orchestras. For him, this is the best opportunity to understand the world of music, and to absorb the essence of music and art from all over the world. His passionate, rigorous and charismatic conducting has been appreciated and loved by audiences and musicians from all over the world. What is even more remarkable is his tireless efforts in popularizing music and introducing new works and new talents of the Chinese Symphony Orchestra to the world. 

The China National Symphony Orchestra, also known as the National Symphony Orchestra of China, is a music performing organization directly under the Ministry of Culture of the People's Republic of China, and is one of the most outstanding professional symphony orchestras in China. It is one of the best professional symphony orchestras in China. Its predecessor, the Central Orchestra, was founded in 1956, and was reorganized and renamed the National Symphony Orchestra of China in 1996.

The Symphony Orchestra performs classical, romantic, modern and contemporary symphonic works, many of which have been premiered by the orchestra in China and around the world. The Symphony Orchestra tours extensively in China, visiting more than 40 cities in 30 provinces and autonomous regions, as well as Taiwan, Hong Kong and Macau. Overseas tours are also increasingly frequent, having visited many countries in Europe, America, Asia and South America. In addition, the CSO is committed to raising professional standards, supplementing music education and teacher training, popularizing symphonic knowledge, encouraging and promoting Chinese symphonic creations, expanding domestic and overseas music stages, and promoting musical exchanges at home and abroad, etc. The CSO has been playing a leading role in the promotion and development of the Chinese symphonic music art.

CPSO also has a chorus with a similarly long history. Founded in 1949 as the Music Work Group of the Central Conservatory of Music, the group formed the Central Orchestra with the Symphony Orchestra in 1956, and is now renamed the China National Symphony Orchestra Chorus. The group tours the country and the world frequently, recording music for films and television, and music for radio and record labels. Currently, it has 60 members, all of whom are outstanding graduates from various music colleges in China. The China Symphony Orchestra is the only professional symphony orchestra in China with a choir, and its performances are usually included in the China Symphony Orchestra's season.

序号	曲目名稱	藝術家	時間	試聽
01	序曲	現代舞劇《紅色娘子軍》選曲	0:58
	Prelude	Excerpt From Dance Red Women Army
02	紅色娘子軍連歌	現代舞劇《紅色娘子軍》選曲	1:27
	Company Song Of Red Women Army	Excerpt From Dance Red Women Army
03	娘子軍操練	現代舞劇《紅色娘子軍》選曲	3:38
	Drilling Of Red Women Army	Excerpt From Dance Red Women Army
04	清華訴苦	現代舞劇《紅色娘子軍》選曲	4:10
	Qinghua Complaining	Excerpt From Dance Red Women Army
05	清華參軍	現代舞劇《紅色娘子軍》選曲	1:57
	Qinghua Joining In The Army	Excerpt From Dance Red Women Army
06	女戰士和炊事班長的故事	現代舞劇《紅色娘子軍》選曲	2:25
	The Dance Of Woman Soldier and Monitor In Cooking Team	Excerpt From Dance Red Women Army
07	鄉親慰問紅軍	現代舞劇《紅色娘子軍》選曲	5:55
	The People Condoling The Red Army	Excerpt From Dance Red Women Army
08	紅軍戰士集體舞	現代舞劇《紅色娘子軍》選曲	1:21
	Collective Dance Of Red Army	Excerpt From Dance Red Women Army
09	終曲	現代舞劇《紅色娘子軍》選曲	4:40
	The Finale	Excerpt From Dance Red Women Army
10	北風吹•窗花舞	现代舞剧《白毛女》选曲	2:57
	The Wind Blowing From North•Dance Of Paper Cut For Window Decoration	Excerpt From Modern Chinese Ballet The White-haired Girl
11	大紅棗兒送親人	现代舞剧《白毛女》选曲	1:48
	The Jujubes Presented To Relatives	Excerpt From Modern Chinese Ballet The White-haired Girl
12	喜兒獨舞•喜帶紅頭巾	现代舞剧《白毛女》选曲	2:19
	Solo Dance Of Xi’er•Wearing Red Coif Joyfully	Excerpt From Modern Chinese Ballet The White-haired Girl
13	太陽出來了	现代舞剧《白毛女》选曲	1:11
	The Sun Has Risen	Excerpt From Modern Chinese Ballet The White-haired Girl
14	終曲	现代舞剧《白毛女》选曲	1:46
	The Finale	Excerpt From Modern Chinese Ballet The White-haired Girl
15	序曲：窮人的孩子早當家	《紅燈記》選曲	2:48
	The Poor Man's Child Shares The Household	Excerpt From The Red Lantern
16	都有一顆紅亮的心	《紅燈記》選曲	1:53
	Men With Loyal, Red HeartsBurden	Excerpt From The Red Lantern
17	天下事難不倒共產黨員	《紅燈記》選曲	2:15
	No Difficulty Can Daunt A Communist	Excerpt From The Red Lantern
18	渾身是膽雄赳赳	《紅燈記》選曲
	The Wine Fills Me With Courage And Strength	Excerpt From Shajia River