產品資訊：

• 專輯名稱：梁祝?黃河
• 專輯編號：HD-053
• 藝術家：殷承宗、俞麗拿
• 音樂風格：中國音樂 器樂
• 唱片公司：ABC(國際)唱片

小提琴協奏曲《梁山伯與祝英台》
陳鋼、何占豪於一九五九年寫成"梁祝"小提琴協奏曲，當時他倆還是上海音樂學院的學生，當年此曲於五月在上海首演。樂曲取材自中國古代的民間傅說"粱山伯輿祝英台"，在吸取越劇的唱腔為音樂素材的同時，此作品亦結合了東西方音樂的風格，獨奏小提琴的演奏手法，有模仿中國二胡的技巧。樂曲為單樂章標榜協奏曲，以故事中具有代表的三段劇情——相愛、抗婚、化蝶分為三個部分。
秀美如畫的引子之後，小提琴奏出詩意般的愛情主題。活潑的迴旋曲描繪出粱山伯與女扮男裝的祝英台同窗三載、嬉戲遊玩的情景；最後緩慢的曲調描繪祝英台被迫要返回家鄉，梁山們十裏長亭相送，兩人依依惜別。這構成了全曲的呈式部"相愛"。
在發展部———抗婚中，小提琴典樂隊奏出兩個相互對抗的主題，以祝英台反抗其父為她安排的婚姻。梁山伯後來到祝府探望他的同窗，這才發現原來那位三載同窗竟是女兒身，亦得悉她快將成親，他才發現原來對祝英台有多麼深厚的愛情。小捉琴與大提琴纏綿柔情如泣如泣的封答，表現他們兩人樓臺相會，互相傾訴衷腸的情景。突然，音樂急轉而下，運用越劇中囂板的"緊打慢唱"手法，梁山們因過份悲傷絕望而病逝，況英台在被迎娶過門的途中，停在愛人的墳旁哭泣，最後在悲憤的低音鑼聲中，況英台縱身投入突然爆開的填墓，音樂推向全曲的高潮。
樂曲的最後部分時再現部&"化蝶"，在輕盈飄逸的弦樂襯托下，愛情主題再現，梁山伯輿祝英台從墳墓中化為一對蝴蝶，在花間歡快自由飛舞，永不分離。

鋼琴協奏曲《黃河》  
根據冼星海《黃河大合唱》 於1969年寫成。1970年由李法倫指揮中央樂團殷承宗首演。 樂曲共分四個樂章，（一）黃河船夫曲（二）黃河頌（三）黃河憤（四）保衛黃河。
第一樂章  氣勢磅礴，樂隊與鋼琴強有力的樂句，形象地刻畫了船夫們與洶湧波濤搏鬥的情景。
第二樂章  大提琴奏出緩暢深情的主題，鋼琴隨後進入，音樂循序漸進展開，仿佛在敍述中華民族悠久的歷史和對錦繡山河的讚美。
第三樂章  笛子那極具陝北黃土味的引子，引出了黃水謠的主題，隨著音樂不斷展開，樂觀、悲傷、憤怒的情緒錯綜交集。
第四樂章  音樂氣勢恢巨集、激昂有強烈的戲劇效果，充分展現了中華民族英勇不屈、誓死保衛國家那種氣吞山河的氣概。

Violin Concerto "Liang Shanbo and Zhu Yingtai

Chen Gang and He Zhanhao wrote the "Liang Shanbo and Zhu Yingtai" violin concerto in 1959, when they were students at the Shanghai Conservatory of Music, and the piece was premiered in Shanghai in May. The 

piece is based on the ancient Chinese folk tale of "Liang Shanbo and Zhu Yingtai". While drawing on Yueju Opera as a musical source, the piece also combines Eastern and Western musical styles, with the solo violin 

playing technique imitating that of the Chinese Erhu. The piece is a single-movement Pivot Concerto, divided into three parts: Love, Resistance to Marriage, and Butterfly Transformation, which are representative of the 

story.

After a beautiful introduction, the violin plays a poetic love theme. The lively refrain depicts the scene of Liang Shanbo and Zhu Yingtai in male disguise who have been in the same class for three years, playing and 

playing; and finally the slow tune depicts that Zhu Yingtai is forced to return to her hometown, and Liang Shanbo and Zhu Yingtai are sent off by the ten-mile-long pavilion, and the two of them bid farewell to each 

other. This constitutes the presentational part of the piece, "Love for Each Other".

In the development section, "Resistance to Marriage", the violin orchestra plays two opposing themes, with Zhu Yingtai resisting the marriage arranged by her father. When Liang Shanbo visits his classmate in Zhu's 

house, he realizes that his classmate of three years is a daughter, and that she is about to get married, he realizes how much he loves Zhu Yingtai. The small violin and the cello are soothing and tender, expressing the 

scene of their meeting on the terrace and telling each other how they feel about each other. Suddenly, the music takes a turn for the worse, using the "slow and tight" technique of the clamor plate in Yueju Opera. Liang 

Shanmen died of excessive sadness and despair, and Qiu Yingtai stopped to cry by her lover's grave on her way to be married, and finally, amidst the sound of angry bass gongs, Qiu Yingtai plunged herself into the tomb 

filling that suddenly burst open, bringing the music to the climax of the whole piece.

In the last part of the piece, the reproduction of the part & "Butterfly", in the light and airy strings, the theme of love reappeared, Liang Shanbo and Zhu Yingtai from the tomb into a pair of butterflies, in the flowers of 

the joy of free flight, will never be separated.

Piano Concerto "Yellow River  

Based on Xian Xinghai's Yellow River Cantata, written in 1969 and premiered by Yin Chengzong of the Central Orchestra under the baton of Li Falun in 1970. The piece is divided into four movements: (1) Yellow River 

Boatman's Song (2) Ode to the Yellow River (3) Yellow River Fury (4) Defend the Yellow River.

The first movement is majestic, with powerful phrases from the orchestra and piano, portraying the boatmen's struggle against the turbulent waves.

In the second movement, the cello plays a slow and heartfelt theme, followed by the piano, and the music gradually unfolds, as if recounting the long history of the Chinese nation and praising the beautiful mountains 

and rivers.

In the third movement, the introduction of the flute, with its Shaanxi flavor, introduces the theme of the yellow water ballad, and as the music continues to unfold, emotions of optimism, sadness, and anger are intertwined.

The fourth movement is a powerful and dramatic piece of music that fully demonstrates the bravery of the Chinese people, who have sworn to defend their country to the death. 

序号	曲目名稱	藝術家	時間	試聽
01	相愛	小提琴獨奏:俞麗拿 作曲：陳剛、何占豪	10:08
	Fall In Love	Composer: Chen Gang / He Zhanhao
02	抗婚	小提琴獨奏:俞麗拿 作曲：陳剛、何占豪	10:19
	Opposition To An Arranged Marriage	Composer: Chen Gang / He Zhanhao
03	化蝶	小提琴獨奏:俞麗拿 作曲：陳剛、何占豪	05:19
	Transformation Into Butterflies	Composer: Chen Gang / He Zhanhao
04	黃河船夫曲	鋼琴獨奏:殷承宗 作曲：殷承宗、儲望蕐、盛禮洪、劉莊	03:45
	The Song of The Yellow River Boatmen	Yin Chengzong / Chu Wanghua / Sheng Lihong / Liu Zhuang
05	黃河頌	鋼琴獨奏:殷承宗 作曲：殷承宗、儲望蕐、盛禮洪、劉莊	04:12
	Dole To The Yellow River	Yin Chengzong / Chu Wanghua / Sheng Lihong / Liu Zhuang
06	黃河憤	鋼琴獨奏:殷承宗 作曲：殷承宗、儲望蕐、盛禮洪、劉莊	06:56
	Wrath of The Yellow River	Yin Chengzong / Chu Wanghua / Sheng Lihong / Liu Zhuang
07	保衛黃河	鋼琴獨奏:殷承宗 作曲：殷承宗、儲望蕐、盛禮洪、劉莊	06:22
	Defend The Yellow River	Yin Chengzong / Chu Wanghua / Sheng Lihong / Liu Zhuang